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Jordi Savall & Hespèrion XX - Moyen Âge & Renaissance - Middle ages & renaissance (1997) {Fontalis Auvidis ES 9904}

Posted By: ruskaval
Jordi Savall & Hespèrion XX - Moyen Âge & Renaissance - Middle ages & renaissance (1997) {Fontalis Auvidis ES 9904}

Jordi Savall & Hespèrion XX - Moyen Âge & Renaissance - Middle ages & renaissance (1997) {Fontalis Auvidis ES 9904}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 338 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1997 Fontalis / Auvidis France | ES 9904
Classical / Medieval / Renaissance

This disc consists of 22 landmark selections from Hesperion XX's various programs of music of the 12th to 14th centuries. Notable composers represented: Alfonso X El Sabio, Guillame Dufay, Eustache Du Caurroy, Orlando Lasso, Francisco Guerrero, Christopher Tye and Cristobal De Morales; several anonymous works included also.

Lôbo & Cardoso - Portuguese Requiem Masses - Schola Cantorum of Oxford, Jeremy Summerly (1992) {Naxos 8.550682}

Posted By: ruskaval
Lôbo & Cardoso - Portuguese Requiem Masses - Schola Cantorum of Oxford, Jeremy Summerly (1992) {Naxos 8.550682}

Lôbo & Cardoso - Portuguese Requiem Masses - Schola Cantorum of Oxford, Jeremy Summerly (1992) {Naxos 8.550682}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 121 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1992 HNH Int. / Naxos | 8.550682
Classical / Renaissance / Baroque / Choral / Sacred / Masses

Jeremy Summerly and his Oxford Schola Cantorum is beautifully paced and the calibre of the singing itself is very impressive indeed, as is the Naxos recording. …the singing is unique: forthright, direct, fresh, recorded quite ‘tight’ and making this 17th-century music as emotive as possible.

The Attaignant Consort, Kate Clark - Madame d'amours: Music for Renaissance Flute Consort (2007)

Posted By: Designol
The Attaignant Consort, Kate Clark - Madame d'amours: Music for Renaissance Flute Consort (2007)

The Attaignant Consort, Kate Clark - Madame d'amours: Music for Renaissance Flute Consort (2007)
EAC | FLAC | Image (Cue&Log) ~ 350 Mb | Mp3 (CBR320) ~ 184 Mb | Scans included
Genre: Classical, Renaissance | Label: Ramée | # RAM 0706 | Time: 01:19:57

Madame d'amours is an enchanting and pleasingly varied collection of pieces performed for flute consort by The Attaignant Consort. The Consort was founded in 1998 by four graduates (from Australia, France, the Netherlands and Italy) of the Royal Conservatorium in The Hague. Having studied historical flute performance practice under Barthold Kuijken and/or Wilbert Hazelzet, these experts (they also work with such renowned groups as Les Musiciens du Louvre, Freiburger Barockorchester and Musica Antiqua Köln – amongst others) also pursue their passion for the sound world of the Renaissance flute in collaboration with Italian flute maker, Giovanni Tardino. The premise of all concerned is that such consort music aspired to a closeness to the patterns and intonations of the human voice. This was (and is, here) achieved by careful attention to instrumental articulation, expressiveness and dynamic shading. The Attaignant Consort likes to play with facsimiles of the original parts in preference to scores; and from memory whenever possible. For this recording the Consort is joined by harpist Marta Graziolino, lutanist Nigel North and flautist Mathieu Langlois.

Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)

Posted By: Designol
Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)

Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)
- Chansons, Ode, Psalms and Motets with 3 to 7 voices

EAC | FLAC | Image (Cue&Log) ~ 316 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Classical, Choral, Renaissance | Label: Ramée | # RAM 0703 | Time: 01:04:45

Little is known of the life of Paschal de L'Estocart, the French composer of the late Renaissance who was roughly a contemporary of Claude Le Jeune (1528 -1600). He seems to have been sympathetic to the Protestant Reformers – he spent considerable time in Germany and his music was published in Geneva – but later in life he applied unsuccessfully to the French King for a position at an abbey. His collection of psalms and motets, Sacrae Cantiones, 16 of which are recorded here, are mostly in French, along with several in Latin, and was dedicated to Calvinist Count Palatine Johann Casimir in 1582. This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.

Weser-Renaissance Bremen & Manfred Cordes - Walter, J: Geystliches Gesangk Buchleyn (1524-25) (2018)

Posted By: delpotro
Weser-Renaissance Bremen & Manfred Cordes - Walter, J: Geystliches Gesangk Buchleyn (1524-25) (2018)

Weser-Renaissance Bremen & Manfred Cordes - Walter, J: Geystliches Gesangk Buchleyn (1524-25) (2018)
EAC Rip | FLAC (tracks+log+.cue) - 324 Mb | MP3 CBR 320 kbps - 169 Mb | 01:12:02
Classical, Sacred | Label: CPO

A new era in church music dawned with the creation of German-language sacred songs functioning as the counterpart to Latin Gregorian chant. The WESER-RENAISSANCE ensemble under its experienced conductor Manfred Cordes is now presenting a colourful selection of the most beautiful hymn settings from the Wittenberg first edition of 1524-25. The Urkantor Johann Walter was a close associate of Martin Luther and the founding father of the important institutional and artistic tradition of the Protestant cantorate.

Pierre de la Rue - Masses - Beauty Farm (2018) {fra bernardo fb1800751 Digital Download}

Posted By: ruskaval
Pierre de la Rue - Masses - Beauty Farm (2018) {fra bernardo fb1800751 Digital Download}

Pierre de la Rue - Masses - Beauty Farm (2018) {fra bernardo fb1800751 Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 628 Mb | MP3 @320 -> 313 Mb
Full Artwork (jpg+pdf) -> 6 Mb | 5% repair rar
© 2018 fra bernardo | fb 1800751
Classical / Renaissance / Early Music / Sacred / Polyphony / Masses

Beauty Farm is a 2014 founded vocal group focused on the Franco-Flemish polyphony of the renaissance. The international ensemble is based in the Carthusian Monastery at Mauerbach (Austria). The singers are members of well known ensembles like Capilla flamenca, Huelgas Ensemble, Vox Luminis, Collegium Vocale Gent and Graindelavoix. On this extensive release, the ever-acclaimed vocal quartet presents four masses of Pierre de la Rue, all composed during the composer's last creative period. Pierre de la Rue is one of the most fascinating and yet most elusive members of the talented generation of composers from around 1500. On the works recorded here he demonstrates his complete polyphonic skills and thus gives the melancholy an intellectual, complex nuance. The necessary lightness is provided by the voices of Bart Uvyn, Hans Jörg Mammel, Hannes Wagner and Joachim Höchbauer.

Tómas Luis de Victoria (1548–1611) - Sacred Works - Ensemble Plus Ultra, Michael Noone (2011) {10CD Set Deutsche Grammophon}

Posted By: ruskaval
Tómas Luis de Victoria (1548–1611) - Sacred Works - Ensemble Plus Ultra, Michael Noone (2011) {10CD Set Deutsche Grammophon}

Tómas Luis de Victoria (1548–1611) - Sacred Works - Ensemble Plus Ultra, Michael Noone (2011) {10CD Set Deutsche Grammophon}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 2.86 Gb | MP3 @320 -> 1.56 Gb
Full Artwork @ 300 dpi -> 28 Mb | 5% repair rar
© 2011 Deutsche Grammophon / ARCHIV Produktion | 0289 477 9747
Classical / Renaissance / Choral

Although the large box and the Sacred Works title might lead you to expect a complete collection of Tomás Luis de Victoria's sacred music, that's not what it is, and in fact some famous pieces, such as the Requiem in six parts, are not included. Instead, conductor Michael Noone lists the criteria for inclusion as follows: the collection focuses on works Victoria composed in Madrid, works that are preserved in manuscripts, works or versions of works that have never been recorded, and works involving an organ or winds, or written in sections that alternate with chant.

The Sound and The Fury - Firminus Caron: Masses & Chansons (2013)

Posted By: tirexiss
The Sound and The Fury - Firminus Caron: Masses & Chansons (2013)

The Sound and The Fury - Firminus Caron: Masses & Chansons (2013)
EAC | FLAC (image+.cue, log) | Covers Included | 03:10:14 | 1 Gb
Genre: Classical, Sacred | Label: Fra Bernardo | Catalog: fb 1207302

Continuing their forays through the less well-known parts of the Renaissance repertory, The Sound and the Fury now give us almost the entire known works of Firminus Caron (active in the 1460s and ’70s) – lacking only a dozen or so secular pieces. The top line is taken throughout by the peerless David Erler, a man who seems unable to produce an inelegant line or a less than lovely sound.

John Dunstaple (c. 1390-1453) - Musician to the Plantagenets - Orlando Consort (1995) {Metronome METCD1009}

Posted By: ruskaval
John Dunstaple (c. 1390-1453) - Musician to the Plantagenets - Orlando Consort (1995) {Metronome METCD1009}

John Dunstaple (c. 1390-1453) - Musician to the Plantagenets - Orlando Consort (1995) {Metronome METCD1009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 336 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 1995 Metronome Recordings | METCD1009
Classical / Medieval / Early Renaissance / Polyphony / Choral

John Dunstaple was one of the most celebrated composers of the medieval period. Tantalisingly little is known about him, and what little is known is tantalising. He served in the courts of the family of Henry V and two pieces here were performed in Canterbury Cathedral to celebrate Henry V's victory at Agincourt. The booklet includes illustrations from the only known surviving Dunstaple autograph manuscript, an astronomical treatise in Emmanuel College library. "A treasure trove of unfamiliar and little heard masterpieces, this imaginative record is a model of what can be achieved when scholars and performers genuinely collaborate"

Jordi Savall - La Folia, 1490-1701 (1998) {Alia Vox AV9805}

Posted By: ruskaval
Jordi Savall - La Folia, 1490-1701 (1998) {Alia Vox AV9805}

Jordi Savall - La Folia, 1490-1701 (1998) {Alia Vox AV9805}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1998 Alia Vox | AV 9805
Classical / Renaissance / Baroque / Chamber Music

After years of playing the various Folias by Diego Ortiz, Antonio de Cabezón, Antonio Martín y Coll, Arcangelo Corelli and Marin Marais, it became clear to us that there were certain links between the origin and evolution of the important art of musical improvisation and variation and the viola da gamba, or bass viol, itself. In fact, it is no mere coincidence that, throughout the 16th century, and in places as different as France (Adrian Le Roy, 1551), Italy (Vicenzo Ruffo, 1564) and Germany (Matthäus Waissel, 1573), we find references in the various manuscripts and printed documents to the term “gamba”, used as a synonym for “Folia”.

Jordi Savall & Hespèrion XXI - Altre Follie, 1500-1750 (2005) {Alia Vox AVSA9844}

Posted By: ruskaval
Jordi Savall & Hespèrion XXI - Altre Follie, 1500-1750 (2005) {Alia Vox AVSA9844}

Jordi Savall & Hespèrion XXI - Altre Follie, 1500-1750 (2005) {Alia Vox AVSA9844}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 430 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 2005 Alia Vox | AVSA 9844
Classical / Renaissance / Baroque / Chamber Music

Throughout the fifteenth and sixteenth centuries, as the new, centralized power of the absolute state was established in most European nations, royal courts all over Europe became the very heart of cultural and artistic life in their respective countries. They assembled an elite of aristocratic courtiers who were expected to master the principles of poetry, dance and vocal and instrumental music, as much as they were supposed to follow a strict and complex etiquette in all aspects of daily social interaction, adopt a luxurious and ever-changing fashion code, or sustain a refined conversation with a lady.

Corina Marti, Michal Gondko - Von edler Art: Fifteenth-century German music for keyboard & plucked stringed instrument (2008)

Posted By: Designol
Corina Marti, Michal Gondko - Von edler Art: Fifteenth-century German music for keyboard & plucked stringed instrument (2008)

Corina Marti, Michal Gondko - Von edler Art (2008)
Fifteenth-century German music for keyboard and plucked stringed instruments

EAC | FLAC | Image (Cue&Log) ~ 325 Mb | Mp3 (CBR320) ~ 155 Mb | Scans included
Genre: Classical | Label: Ramée | # RAM 0802 | Time: 01:07:20

Interrelated traditions of keyboard and lute playing that flourished in German-speaking lands in the age immediately predating the invention of music printing have fascinated us ever since our very first encounter with the surviving repertoire that originated from these traditions. Fifteenth-century music for keyboard and plucked stringed instruments is without doubt an exciting area in the early history of European instrumental music, but one paradoxically seldom visited by performers and thus virtually unknown to the wider public. Many pieces are recorded here for the first time, and it is our hope that the present disc may contribute to restoring the remnants of a once flourishing and highly refined art to the place they deserve in the awareness of music lovers.

Glen Wilson - Ammerbach: Harpsichord Works from the Tabulaturbuch (1571) (2007)

Posted By: tirexiss
Glen Wilson - Ammerbach: Harpsichord Works from the Tabulaturbuch (1571) (2007)

Glen Wilson - Ammerbach: Harpsichord Works from the Tabulaturbuch (1571) (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 67:38 | 439 MB
Genre: Classical | Label: Naxos | Catalog: 8.570335

The sixteenth-century Leipzig organist Elias Nicolaus Ammerbach is remembered above all for his Tabulaturbuch, a collection of keyboard arrangements of songs, dances and other works, variously ornamented, and intended as a means of teaching both keyboard-playing and the foundations of music. He is one of the 16th century German ‘colourists’, who added virtuoso passage-work to pre-existing works.

Hesperion XX, Jordi Savall - William Brade: Hamburger Ratsmusik - Consort Music C. 1600 (1998)

Posted By: Designol
Hesperion XX, Jordi Savall - William Brade: Hamburger Ratsmusik - Consort Music C. 1600 (1998)

Hespèrion XX, Jordi Savall - William Brade: Hamburger Ratsmusik - Consort Music C. 1600 (1998)
EAC | FLAC | Tracks (Cue&Log) ~ 257 Mb | Mp3 (CBR320) ~ 120 Mb | Scans included | 00:50:36
Classical, Renaissance | Label: Deutsche Harmonia Mundi, BMG Classics | # 05472 77476 2

English composer and violinist William Brade was a significant transitional figure in instrumental music between the Renaissance and Baroque periods. Brade is credited with transplanting English musical practices most readily associated with William Byrd, Peter Philips, and John Dowland to North German and Scandinavian soil, and in aiding the transformation from the Renaissance notion of the English consort to the more continental Baroque idea of a string orchestra.

Ex Cathedra, Jeffrey Skidmore - New World Symphonies: Baroque Music from Latin America (2003) (Repost)

Posted By: tirexiss
Ex Cathedra, Jeffrey Skidmore - New World Symphonies: Baroque Music from Latin America (2003) (Repost)

Ex Cathedra, Jeffrey Skidmore - New World Symphonies: Baroque Music from Latin America (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 69:40 | 308 MB
Genre: Classical, Choral | Label: Hyperion | Catalog: CDA67380

Following the discovery of the Americas, Christianity and the Roman Catholic Church was established with incredible speed. Many of the Native Indians were part of highly sophisticated civilizations, most notably the Aztecs and the Incas, and were very responsive to the new ideas, especially music, which was already an important social and spiritual element in their lives.
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